Architecture Quotes

The tall building, concentrating man in one place more densely than ever before, similarly concentrates the dilemma of our public architecture at the end of the twentieth century: whether the new forms made possible by technology are doomed by the low calculations of modern patrons and their architects.

I always wanted to be an actor, but I always loved design, and growing up in New Orleans there was such great style, great architecture. I would decorate my little apartment in New York over and over again, because it only had a couple of rooms. And I did it for friends and family on the side just for fun.

The thing about Chicago is that it really isn't like any other place. The architecture and the layout of the city are the best. I'm from the Midwest, and consider myself a Midwesterner. I feel most at home there. I love California. I have great friends in California. I just have always considered Illinois to be home.

To go back to architecture, what's organic about architecture as a field, unlike product design, is this whole issue of holism and of monumentality is really our realm. Like, we have to design things which are coherent as a single object, but also break down into small rooms and have an identity of both the big scale and the small scale.

There is little in the architecture of a city that is more beautifully designed than a tree.

As a child, I always enjoyed building forts by stringing up bed sheets and clothes. I continue to be inspired by makeshift structures, including my own kids' forts and temporary architecture of all sorts.

I never studied sculpture, engineering or architecture. In fact, after college I applied to seven art schools and was rejected by all seven.

Some people think architecture is about the genius sketch; I don't. Great architecture is a collaboration among a lot of people over a long period of time.

Working off one genius sketch is not the way great architecture should be made.

Architecture is by definition a very collaborative process.

I've spent a lot of very happy times in Edinburgh as a result of playing virtually every festival since 1996. It's also a beautiful city in its own right, is walkable, within sight of the sea and mountains - and was too far north for the Luftwaffe to have done any damage, hence the spectacularly beautiful architecture.

Charleston has something for everyone, rain or shine. Its architecture is unparalleled. Carriage rides are great for seeing the city and hearing the history behind certain houses and the area.

There's something very special about seeing history so clearly in front of you through that architecture that you just don't get in the U.S. If I was asked to choose where I'd most like to live, I would always choose London.

I enjoy art, architecture, museums, churches and temples; anything that gives me insight into the history and soul of the place I'm in. I can also be a beach bum - I like to laze in the shade of a palm tree with a good book or float in a warm sea at sundown.

The architecture for 'Paladin' - given that it's at least three books, with the possibility of more - turned out to be bigger than anything I've ever created, with multiple levels of reality, interlocking mysteries and a terabyte of time frame.

I didn't even have a clear idea of why I wanted to go to Oxford - apart from the fact I had fallen in love with the architecture. It certainly wasn't out of some great sense of academic or intellectual achievement. In many ways, my education only began after I'd left university.

The Classic games were Classic because, like classical music or architecture, they strove to give life and weight to ideals of order and proportion, to provide a vision of timelessness. In 'Double Dragon,' we can see the cracks in the brick, the mold growing on the drainage pipes, the unmistakable deterioration of the world we live in.

Since I am a Japanese man who's been building through the experience of Japanese architecture, my actual designs come from Japanese architectural concepts, although they're based on Western methods and materials.

Music, architecture and pictures have always been my passions, and all that material wealth has meant for me, is being able to have some of the pictures I liked.

I have a traditional view of the afterlife... heaven, hell and judgments. But the accounts of those places are scant, and I believe it's on purpose. We aren't supposed to try to figure out the architecture of the afterlife, since the big game is here in this life.