Romantic Quotes

I had my first real kiss at Magic Mountain on a park bench. Not the most romantic thing ever.

I don't know if I'd want to be a Secret Service agent. In the movies, it's exciting and romantic and all that. Really, most of their job is standing in a hallway for 12 hours making sure somebody doesn't come through a doorway off of a stairwell.

Being black, Latino, or Asian is not a genre. Romantic comedies, thrillers, action - those are genres. I think there's a lot of people who want to have the conversation. I don't think people are afraid of it, I just think it's the time to have that conversation. Race is not a genre.

I do know that I like to play characters that are sometimes a little on the outside - that's because it feels kind of romantic and sexier to me. I really think they are the people that we learn lessons from.

When I started, there was something almost romantic about the notion of paparazzi. I mean, it wasn't. They were still chasing you down the road. But that guy had to put film in his camera and work out whether it was worth pressing the button to take the shot, otherwise he's got to stop and change the film. So it was like this age of innocence.

I get a lot of dramas, but I'd like to do a romantic comedy type of movie; that'd be a nice step for me. No more screaming or running or shooting... for one movie where I can just be in love with a boy.

I've been in silly movies and romantic movies and historic movies.

I grew up in southeastern Oklahoma on a working cattle ranch, and it was always very romantic to me: The West, the cowboy, the Western way of life.

I've actually always wanted to write like a one-person show that was sort of a romantic comedy - a show that was kind of cynical about romance and marriage but ultimately embraced it. Because I feel like comedy is always cynical, inherently, because it's contrarian.

For me, the performance was always playing different people. And so when I got older, was no longer the romantic leading movie star, it became more and more interesting for me, the characters I played, you know?

I love to make songs out of some of those shadows - you know, some of the things you lie awake thinking about, social anxieties and romantic insecurities and all that stuff.

Couples without kids have each other, their friends, families, and Siri to talk to. It's not like they're quarantining themselves in an underground bunker, never to take a romantic stroll on the beach or attend a Morrissey concert ever again. They're just using birth control.

I've done romantic comedy, and I don't get to flex that muscle often.

America to me is so varied and exciting. I always feel nostalgia for the place I'm not in, and then I get there and find myself in a traffic jam going into the Lincoln Tunnel, and I think, 'God, why was I romanticizing this part of the country?' I think it has to do with the romantic, unrealistic temperament.

There are many aspects to directing that have a romantic place in people's minds.

I love getting to bounce around and explore so much. I love Scandinavia. I love Spain. It's so mystical and romantic, yet it's gritty.

Valentine's Day itself, like most holidays in the modern era, has been heavily influenced by commercialism that focuses on the appeal of romantic fantasies.

The ecstatic insanity of romantic pursuit can be so enhanced by music that entire romantic conquests, victories and ruinous, crushing defeats can be tied to songs to such a degree that it's almost unbearable to listen to them again, as they bring back the memories so vividly.

For me, playing music while I write is important. Several of the romantic scenes in 'Paris' were written with Debussy's 'String Quartet,' his 'L'Apres-midi d'une Faune,' or Canteloube's 'Songs of the Auvergne' playing in the background.

I went through a stage of writing my cramped hand in tiny books. My two sisters and I did have our Bronte period. My mum is from Yorkshire, and we would go up to the Moors. It tapped into our romantic visions of ourselves.